The Interesting Life of Yohann Sebastian Bach
September 10, 2009 by Classical Music · Leave a Comment
Shostakovich A Life Remembered Second Edition
August 26, 2009 by Classical Music · Leave a Comment
Shostakovich A Life Remembered Second Edition
Praise for the previous edition: “Elizabeth Wilson’s magnificent new oral history, Shostakovich: A Life Remembered, [is] the one indispensable book about the composer.
(Richard Taruskin The New York Times )
Praise for the previous edition: “[Wilson] has gathered numerous recollections of Shostakovich and organized them into an enormous biography that follows every step of his life. . . . Together, these diverse sources provide a mosaic portrait of a shy, fidgety, punctilious musician.
(New Yorker )
[T]he most important book ever published about the greatest Russian composer of the twentieth century. . . . For the first time, Shostakovich’s anguished personality comes into focus, and his emotionally devastating encounters with the Soviet government are put into trustworthy perspective.
(The New York Daily News )
User Ratings and Reviews
5 Stars perfect timing
Book arrived as quickly as advertised, which was great because I needed it to write my New York Times antiques column (published today). THanks!
Wendy Moonan
5 Stars Astounding, intimately clear
Although not as thorough on the music of the great composer itself, this book is a must read for anyone interested in Shostakovich, or music and Soviet history in general.
Wilson lucidly supports her interviews and articles from colleagues, friends, and family of the composer with a curious detachment that serves to clarify rather than alienate the subject matter. The articles and interviews themselves are priceless artifacts, and presented here in an intelligent fashion.
Shostakovich’s life is portrayed here with startling intimacy. The reader will find him or herself able to visualize the genius composer and his quirks, and those who listen to the relevant works of music will find their messages so much more meaningful.
W A Mozart
July 9, 2009 by Classical Music · Leave a Comment
Proceeding chronologically from 1756 to 1791, the book interrogates every aspect of Mozart’s life, influences, and experience; his personality; his religious and secular dimensions; and the social context of the time. In “a book within a book,” Abert also provides close scrutiny of the music, including the operas, orchestral work, symphonies and piano concertos, church music and cantatas, and compositions for solo instruments.
While the tone of Abert’s great work is expertly rendered by Stewart Spencer, developments in Mozart scholarship since the last German edition are signaled by the Mozart scholar, Cliff Eisen, in careful annotations on every page. Supported by a host of leading Mozart scholars, this immense undertaking at last permits English-language readers access to the most important single source on the life of this great composer.
User Ratings and Reviews
5 Stars Magnificent!
I am someone who considers Mozart to be our “greatest” composer, in fact probably a person surpassed by no other person in creative achievement and whose work comes closest to achieving perfection at the level that nature herself does. Across all the arts. So I was astonished when I learned of the existence of this book. It actually has existed for some time but is only now available in English translation. An excellent translation. Aided further by copious annotations by a contemporary Mozart scholar. I have not read the book in its entirety yet but every part that I have read has been fascinating to read. Never a dull page. A magnificent book!
5 Stars Wolfgang Mozart Laid bare
This is a serious reference work that comprehensively details Wolfgang Amadeus Mozart’s life and works, together with the Kochel catalogue, a chronology, a bibliography of other authors’ works, and a comprehensive index of significant people, places, and events in Mozart’s life. This English-language edition has only been available for about 12 months, and I have found it to be one of the most valuable books in my collection of musical literature. Yes, it’s a bit dry in its style, but this is not some fluffy novel. If you present classical music for radio, TV, the internet, or are a teacher, this is a work you should have on your bookshelf.
5 Stars In two volumes, please!
Great book, have only read a little so far since I am obliged to sit at the table to read it and not in my favorite armchair. It would have been so much simpler to have this published in two volumes. I am prepared to buy it again in order to read it in a more comfortable position. I think I would really enjoy it much more.
5 Stars The titanic basis for our conception of Mozart
As the centenary of Mozart’s birth loomed in 1856, German musicologist Otto Jahn published the first volume of his ground-breaking four volume biography of Joannes Chrysostomus Wolfgangus Theophilus (Gottlieb) Mozart. Theophilus, meaning ‘beloved of God’, was changed to its German equivalent, Gottlieb. The names Johann and Chrysostom commemorated the boy’s birth on that saint’s day. He was born on 27 January 1756 at eight o’clock in the evening. He was the last of seven children: only two of whom, Nannerl, the fourth, and Wolfgang, survived. No one at the time had the slightest foreknowledge of the epochal nature of that birth.
Simultaneous to Jahn’s massive undertaking was Ludwig Kochel’s similarly path-breaking catalogue of Mozart’s works. The two scholars created the historical landscape upon which all subsequent study and knowledge of Mozart’s life and works would be based. Jahn’s and Kochel’s work were as comprehensive and dependable as the then current state of knowledge about Mozart’s life and music permitted. In the process, the foundation of a Germanic cultural hero, a Romantic myth, of Mozart, the inestimable, miraculous child genius who created musical masterpieces Jove-like fully formed from his mind, was created. That myth is still with us in books, in concert notes, in recording liner notes, in essays and in films.
Jahn’s work was revised several times before Hermann Abert fully reworked it in the post-war years of 1919-1921, taking full advantage of an additional 70 years of research and discovery: in the process modifying Jahn’s 19th Century Romantic tone to fit a more modern sensibility. Abert’s massive work included everything then known, the most informed and substantial biography of Mozart in any language. It is unquestionably the most comprehensive account of the composer’s life and a profound analysis of the composer’s work. In Abert’s ‘book-within-a-book’, he scrutinizes the music, with individual chapters on the operas, splendid accounts of the orchestral works, the symphonies and piano concertos, church music and compositions for solo instruments. It is a titanic work that has never been rendered in English until now.
Brilliantly translated by Stewart Spencer, what makes this massive work so impressive is how even Abert’s deeply considered words are brought up to date. Recent developments in Mozart scholarship since the last German edition are analyzed by Mozart scholar Cliff Eisen in his meticulous and informative annotations located on every single page. This whole massive undertaking is supported by a coterie of leading Mozart scholars. At the weight of a very healthy baby, this is not a book you will be carrying to your local Starbuck’s unless you plan to use it as a portable table. It is, nevertheless, the single most important source on the life of a truly great composer. It is remarkable that it has been unavailable in English. That it now is, and in such a superlative edition, makes its publication the single most important event in English language Mozartean scholarship of this, or perhaps any other, year. This book is not an investment to be made lightly. It probably requires a program of upper arm development (a small lectern might be helpful). But for the committed Mozartean, this mighty volume would make a splendid gift. You will spend the rest of your life absorbed in its 1600 pages. Most strongly recommended.
Mike Birman
The New Bach Reader A Life of Johann Sebastian Bach in Letters and Documents
June 8, 2009 by Classical Music · Leave a Comment
The New Bach Reader A Life of Johann Sebastian Bach in Letters and Documents
Just reading these documents brings this great composer to life in a most exciting and vivid way. I love this book! — Yo-Yo Ma
User Ratings and Reviews
5 Stars Bach Resource
Though I’ve only had time to skim through portions of this book, as a Bach descendent, I find it fascinating! The information provided in this book is from actual historical sources, so it not only gives the reader an appreciation for life in Bach’s time, but it actually allows one to learn about Bach on a personal level. It reveals often little known facts, such as that Bach kept his own record of his family roots. In fact, I was able to find information about my own direct ancestors in his own words. Fascinating! I’ve ordered copies for my relatives, as well. I was very pleased with the fact that, though this book was to arrive in “4 to 6 weeks,” it arrived in half that time, and in time for the holidays. Great book for a Bach or for a music lover!
5 Stars A must have and must read - contemporary documents and the view of Bach through the centuries
This book is essential for anyone wanting to understand the life and work of J. S. Bach. It provides wonderful insights about the man through his own documents and writings by those who knew and worked with him. He comes across as an amazingly hard working genius with a quick temper and absolute focus.
The book is organized according to the various aspects of Bach’s life. We get a portrait of him “in outline” using various anecdotes. Then we get a section about his life from his own writings. The next section contains biographical and genealogical information about Bach and his family. The sections on Bach as viewed by his contemporaries, in Forkel’s biography, in the second half of the 18th century, and in the Romantic era are all quite interesting. Given how much Bach has meant to the world (more than in life!), it is not surprising that we cannot understand him without understanding his changing reputation over the past centuries.
This new edition has more than two hundred pages of additional information than the earlier editions and makes the book that much richer an experience.
I repeat, this is a must have and a must read for any lover of music. Why be limited to what other people tell you about this composer when you can find out for yourself from contemporary documents?
5 Stars Comprehensive collection
A wonderful collection of letters by and articles about Bach, both from his own era and afterwards.
Some of his letters have even been set to music! Amazon also has available Peter Schickele’s [a k a PDQ Bach] “1712 Overture and other Musical Assaults” which includes his parody on Copland’s Lincoln Portrait, in which, instead of reciting The Gettysburg Address, he reads 2 of Bach’s many letters complaining about his lack of money.
These are among the best known of Bach’s letters, and are a fairly good indication of the general tone of many of his letters.
In one letter he complains to a relative that the cask of wine he had sent was half empty by the time it arrived, and that he had had to pay so many taxes as it passed through various districts of Germany that receiving it was rather expensive!
He concludes by saying something like “Please don’t send me any more gifts … I can’t afford it!”
In the second letter, he writes warmly of his very musical family, but also whinges about his pay being less than he expected. He says that he had been promised a certain amount of money per funeral, but unfortunately the winter was so mild very few people died!
Highly recommended for lovers of Bach.
4 Stars THE SUPREME BACH in his own words and thoughts!
All worshippers of JS Bach need to acquire this informative and satisfying journal dedicated to the absolutely most profoundly sublime genious in all of music. If having all of Bach’s masterworks in your CD collection wasn’t enough…you need to add this book for further intellectual stimulation because here Bach is presented in his OWN WORDS! Every example of written coorespondence by Bach and his contemporaries concerning him has been preserved and translated from the hand of Bach’s penmanship and presented to the reader. As a result, we can glimpse into another facet of the mind behind the music. Although most of the letters were written to either one offical or another (and therefore embellished with the standard nomenclatures of the time), I was able to detect exasperation, sarcasm, fearlessness, austerity, humor, ridicule and sorrow in much of them. In the vast majority of the wordy, complex style of his coorespondence we begin to see that Bach composed his complaints in much the same vein he composed fugues; lavish phrases, requests and expostulations are intertwined in the most respectful manner to his superiors…and simultaneuosly he projects an attitude that if his needs are not met he will resort to higher means…usually meaning petitioning the King himself (which on one occasion he ultimately did!) His complaints ranged from objectional wages, unruly choirboys, the relegations of authority, and his delinquent son (in which the debtors were now pestoring Bach to compensate). It is true that not many personal references by Bach have come down to us, but there are a few morsels for us to dwell on; his declining a gift from a cousin stating that the tax required was much to high for the parcel itself, he mentions with regret a flask of wine that broke open (accidentally?) while on route in the mail and spilled out, and how not too many people were dying…so unfortunately he wasnt making out too well on funeral music composition. We begin to see that apart from his unsurpassable genious and intellect, he was very much a normal person…even a bit dull. He certainly had a dry sense of humor and had absolutely zero tolerance for people he thought were using him…and for those he thought were not taking him seriously. The is one instance where he got into a street fight at the marketplace, another instance where he was reprimanded for introducing “strange sounds and alterations in the harmonic structure” during mass at the organ (the buddings of his genious). He was interrogated for bringing a “strange maiden” up to the organ loft with him. He even spent some time in jail for being too stubborn when his leave was denied (he was looking for better work and his employers refused to let him go). He was reprimanded for overstaying leave time on another occasion (by like 2 months!) hanging out in Lubeck to see Buxtehude play. He had no qualms whatsoever in disqualifying students from his instruction if they showed any from of recalcitrance or inept musical talent. Buy this book! You can read all about these things and more from the REAL letters! There is plenty of praise and accolades to go along with it, both by his contemporaries and posthumurous composers. Read about Mendelsohn’s debut of the St Matthew’s Passion (100 years after Bach performed it last) written by the tenor who sang Christ’s lines in the score during that performance! Look at the replicated facsimilies of Bach’s letters in his own hand! The book is full of paintings of Bach…in all stages of his career. Read his letters and get some insight into the turmoil and altercations, of the humor and sarcasm of the greatest genious of music this world has ever known. His music is immortal and nothing can even come close; not even the greatest works of Mozart or Beethoven can overshadow the universal sublimity and unsurpassed ecstasy the world can find the the music of the Almighty Johann Sebastian Bach.
5 Stars What an incredible resource
I have been studying this book for the last 2 months. The amount of information that is in this book, and not many others, is incredible. Actual letters from JS Bach showing how he feels. Descriptions of performances that were only available from PhD’s in the past are available to you in this publication.
On the subject of J.S. Bach, this is one of the best resources I have found.
